I decided to try and progress the idea of automatic map-like drawing by experimenting with charcoal. I drew a single line and then rubbed it out and repeated the process numerous times, building up layers of mark-making. I then took some coloured pencils and traced a path randomly following the marks.
I’m not sure that it takes me much further forward in developing this line of enquiry. However, I enjoyed the process and I like the different nature of the coloured lines which I made consciously by making decisions as to which of the paths of faded charcoal to follow, almost like a dérive – they have a different character to the ones I make when I draw automatically.
I’ve been thinking a lot recently about the course, about being half-way through and what I would like to have achieved by the time it finishes – what work I might produce by the end of it. At the moment, the concept of mapping is at the centre of it. I want to produce something which reflects all that I have learnt during the course, about myself and how I relate to the world around me. It will inevitably be an artifact, a map, of some shape or form, but I want it to reflect a process which is ongoing, that will never be complete, a piece of work in a state of flux, constantly subject to change, so there has to be some sense of impermanence, of it being unfinished. I also want to encompass the idea that memory plays a large part in the process and much like maps which are constantly being made and remade, so are the memories on which the map is based. The idea of layers and distorted imagery seem to be relevant in this respect.
I’ve thought about paper and canvas, maps being folded and rolled , but I don’t think that these offer the ability to create layers in the way that I want. I’m currently thinking that I may make a number of squares which together make up the grids of a map.
I used a pen to try and keep a marble on the paper. I like the lines which were made as a result – they have a sense of fluidity about them, much more than the lines that I have been making up until now. I’ve been meaning to experiment with the size of the dots at the intersections, to see if different sizes create a sense of perspective and three dimensionality. I don’t think that I have managed to achieve enough diversity in the sizes – it was very much an afterthought – I’ll try again another time. The image makes me think of something neural, cognitive mapping?
I took some inkjet compatible transparencies and drew some lines to see if I could create layers. Unfortunately, they are not totally clear – they have a milky appearance, probably because of the coating which allows them to be used in inkjet printers. I need to do some research to see if this is the case or whether I can source some others. Having said that, the milky film does cloud what’s underneath, making it hazy, almost like a memory that’s not quite there. Ultimately, I’m thinking that I could use layers of acrylic sheets over a background image, possibly together with milky transparencies, some can be drawn, painted and printed on, and I can also include some cyanotype images as well a negatives. I could cut holes in some layers to allow direct access to layers below. The use of reflective surfaces would also add depth.
I layered up the sheets using small magnets which not only hold them stacked together but also act as spacers between the layers. I had to add one in the middle because otherwise the sheets would sag – this won’t be a problem with rigid acrylic sheets. The magnets themselves suggest impermanence, the ability to be easily changed.
Kate McCalmont-Woods 