Tag Video

Four Little Words

Kate McCalmont-Woods Leave a comment

I’d be lying if I said that I don’t get moments of anxiety about the End of Year Show and what I will be showing. After all, the plan is not to have a plan, as I’m treating it as a snapshot and the continuation of my becoming, as opposed to the big finale, the culmination of something. But it’s very difficult when all around me are so far advanced in their own work and I also need to give an idea of what I will be showing from a space planning and curation perspective.

At the very least I will have the book – it was ok to have that as a plan as it seems the most natural thing for me to do, it is something that can continue to develop because it is made up of volumes and also the process of making it has been one of learning and development. After my trial run I decided that I need to have some sense of progress and that I would crack on with the second volume before returning to remake the first. So, I’ve made the book cloth that will be used for the cover and the end papers. I’m currently halfway through formatting the blog – the resizing of all the images to a higher resolution suitable for printing and the creation of QR codes for the videos takes up a lot of time. Hopefully I will have finished it sometime this week and so can get on with making both volumes.

I’ve been thinking about my conversation with Jonathan as to how to display it. I want people to pick it up and have a read of it but at the same time treat it with care. Placing a pair of white gloves like those used by archivists next to the books would indicate that care should be taken – I don’t necessarily intend for people to actually use them and I’m sure that there will be some who would be reluctant to anyway. Hopefully, there will be three volumes, so the idea of two being arranged on a shelf and the third being placed on a separate surface, open and an invitation to be read is a good one, but it is also open to being seen as being on display, something to be looked at, not touched and read. So, I’ve gone with Jonathan’s idea of a student table chair/ conference chair as a possible option. I’ve sourced one – it has a fixed writing tablet so nothing has to be moved or flipped up for the reader to be able to sit down.

I’m also intrigued by Jonathan’s idea of using a video screen as a table and placing the book on that, as well as his comment about watching videos through layers. I had in the back of my mind that I would probably make a layered piece rather like the one in Layering. I tried experimenting with the burnt mulberry paper just to get a feel. I also used some mulberry paper that I had cyanotyped on and decided to burn holes in that to see how a patterned layer would work – a health and safety risk assessment beforehand probably would have alerted me to the risk that paper that had been chemically treated would probably burn quite enthusiastically – let’s just say that it was a bit quicker and harder to blow out than the plain paper. I put the paper on top of an acrylic sheet for the purposes of this exercise and so at times you can see my reflection.

Link to Video 1

Link to Video 2

I’m going to have a look at making some new videos and perhaps re-editing some of the existing ones, taking on board all the really helpful suggestions Jonathan made in my tutorial. I’ll keep playing around with layers and see where it takes me.

I also want to try working at a larger scale. I’m still thinking about microchimerism and the piece with the three foetal forms (The Accidental and the Incidental). I still can’t believe how randomly drawing a shape resulted in a form which I now see as having such a strong identity. I could use some of the processes that I have been experimenting with, such as bubbles and ink. I really enjoyed making the paper using the syringe ( Layers) – it feels organic and biological and maybe I could incorporate it in some way into a larger piece or even a layered piece. I can only make it in A2 but I think that I could easily attach sheets together to make a larger sheet. The only question is how I would transport it, but I think that once it’s dry it is quite flexible and more robust than it looks although it would probably be better to take in sheets and then join it together in situ using paper pulp which would have enough time to try over the install period. Failing that there’s always PVA glue.

I’m feeling positive and excited that I have a loose idea – some soft structure – let’s see where it takes me.

The Interview

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I’ve learnt my lesson from the 3-minute video. I set about the 5-minute video by writing down what I wanted to say first and then selecting images with reference to the voice over. There was some adjusting in between with tweaks to the audio. The difficulty was getting the structure right so that there was minimal repetition of thoughts and ideas. But 5 minutes of my dulcet tones! Something had to change.

So I restructured it in the form of an interview, using Speechify to alter my voice to a middle aged man called Benjamin. There was no particular reason for this choice other than his voice was the least irritating and also I wanted a male voice so there is a clear difference between the two.

I’ve learnt and developed even more in the process of making it.

Link to 5-minute video

Tick Tock

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For some very light entertainment I’ve been watching ‘This Is Not a Murder Mystery’ a quirky fictionalisation of the gathering of Surrealists at Edward James’ West Sussex pile, West Dean. Whilst he was a champion and friend of the Surrealists and owned the largest collection of Surrealist art, this particular gathering at which several murders take place is a work of make believe, with Magritte waking up next to the first murder victim in a mise-en-scène exactly like his painting The Lovers which up until that point had not been seen by anyone.

Les Amants, 1928

I was trying to put togther the transcript for my 5-minute video earlier and I was thinking that I would like to make some work with me in it, me now, rather than videos from years ago. I managed to get over my reticence at using my voice and so I think it’s time that I bite the bullet. It seemed to me that being obscured in some way rather like in The Lovers might be the answer, a veil of sorts which could also represent am element of feeling disconnected. Because I’ve been looking at my work and my blog recently, the idea of time passing has been in the forefront of my mind, and I really dislike the sound of clocks, a constant reminder, particularly the one my husband has which belonged to his parents – it ticks so quickly it makes me feel anxious.

I’ve also been wanting to have a go at stop animation. I know that I could have just taken a video and used apps such as Capcut to create the effect, but I wouldn’t really be experiencing the process, so 153 photos later…

Link to Tick Tock

Whilst it was time consuming, the act of exporting, rotating and uploading the photos was repetitive and was strangely enjoyable for that reason. There are quite few things I would do differently if I did it again, the sheer fabric has creases in it which really I should have run an iron over before starting but I was so excited to get started. Having said that, I do quite like the diagonal that it creates. Also it was difficult to see the image on the phone screen because of the double layer of fabric and there are a few areas which could have done with being straightened out. Having said that I’m really pleased with the outcome, I enjoyed the process of making it and learnt a lot and even managed to tackle it in a logical way, dealing with just one photo at a time and not rushing it, which is unusual for me, although some of my impatience is obvious in the video, as already mentioned. In particular I really like the effect of double layering the sheer fabric which creates a contour-like effect.

Fish Tank III

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As I was editing the video of the ink in the water I decided to see what it would look like speeded up. It had a whole different feel to it, less calming, more violent, and so I experimented with adding some audio. I’m pleased with the result. I can trace it back its roots – the doodling, the contour lines, the attempt at suminagashi that went wrong and the inspiration that came from that, of observing ink in water, the ink and the fish tank and the curiosity to experiment with effects that I have developed since I’ve been making videos over the last few months. It’s so satisfying to see how it all connects, although I can probably say the same about most of the work that I’ve been making recently.

In many ways this video is as mesmerising as the 5 minute one of the ink moving slowly through the water. After I had increased the speed it reduced from 5 minutes to only 6 seconds, so I duplicated it over and over. The audio clip was slightly longer than the video clip and so the effect of duplication was to delay the audio on each subsequent repetition. This led to me thinking about when we know that something is coming we anticipate it and often it reduces its impact or sometimes, such as scary moments in films, even though we know it’s coming, it still makes us jump. I was then interested to see how many times it had to be repeated to get back to more or less the right place – it was 7 times (the maximum number of times that you can fold a normal piece of paper in half). My daughter didn’t notice the delay in the audio each time and so I gradually reduced the volume to draw attention to it.

The blackness and lines created by the ink remind me of Gnawing Grief in Klimt’s Frieze. The video reminds me of how grief feels – when it initially hit me it was like having the breath knocked out of my body by a monumental force, over and over, and it made me feel disconnected and out of sync with the world, which just seemed to carry on as if nothing had happened. This video is as close as I can encapsulates that feeling for the time being.

Link to Video

I’ve really enjoyed experimenting with ink in water. Next time I’ll try different sorts of inks and perhaps venture into some colour. It’s been a great learning experience well particularly in terms of working out how to apply layered effects in Capcut and also in learning how to load the video to Vimeo instead of YouTube – the quality wasn’t that great on the latter. I think that I’d like to get more proficient at video-making and editing as well as photography and editing tools such as Photoshop as I anticpate them being a significant part of my practice in the future.

Fish Tank II

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Now for the ink:

Video Ink in Water

There’s no audio because I don’t want to distract from the visual. I had meant to put in a drop of ink, but it was more like a splodge. Next time I’ll be less heavy handed. It was really exciting to watch the ink slowly flow in the water; it was mesmerising. I really like the way it creates layers and veils of lines, and all the different shapes and images which momentarily appear and then disappear – at the beginning the jellyfish which then grows a nose and transforms into a face.

The ink was in motion for about 10 minutes and when it stopped it just hung there in the water, as if it was frozen in time. It reminded me of stalactites and stalagmites. It was difficult to capture fully what I could see.

Video Ink in Water II

Fish Tank

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I’ve been looking forward to this with all the excitement of a small child.

I anticipated that it would involve a lot of preparation and clearing up afterwards, but it wasn’t that bad.

I filled the tank and started exploring dripping and pouring in water.

The audio to this video is part of a recording I made of Jonathan playing the thumb harp in the Crypt gallery during the Low Res.

Video I

Video II

I tried slowing down the playback speed to 0.1 which gives it a stop animation feel. It has the effect of mark-making which I find really interesting and perhaps something to bear in mind. Unfortunately the audio became rather unattractive so I removed it.

Video III

You Know, Kate, Not Everything You Do Is Art

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I was left speechless (unusually for me).

I was a bit surprised because usually he is a bit more open-minded, being someone who likes to experience art, to talk about art and to paint. Maybe it’s because it was the umpteenth time that I had disturbed him whilst he was doomscrolling on his phone. Look at this, I had said. I told him that I would name and shame him. I told him that I would tell all my course mates what he had said and ask them how I should have reacted. We had a titter.

I’d been pouring my morning kombucha. Those bubbles…

Video of Bubbles 1

Video of Bubbles 2

Video of Bubbles 3

I’d been playing with the dog in the garden. Those shadows…

Video of Shadows 1

Video of Shadows 2

Video of Shadows 3

A Video Made By Walking

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I’ve made a short video using clips I took in Vienna last December. I thought I had recorded a lot more, but no. The audio is me playing the Blue Danube on a piano with one finger. I played around with a lot of the effects on Capcut. My favourite at the moment seems to be ‘archaic lens’ although I find the dirty lens bit irritating but I do like the colour and the texture. I’ll have to experiment some more and see if I can achieve anything similar. Some of the transitions need a bit of work but, as a first iteration, I’m particularly pleased with it.

My next video project is to film the ink and water in my fish tank.

A Video Made By Walking

A couple of screenshots from the transitions:

The Accidental and the Incidental

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I wanted to make some marks – layers of marks – and so I took some A2 paper and used charcoal, pastel, an eraser and a pen.

It wasn’t meant to be anything. I thought that I might use it as a base for something else. I had been wanting to have another go at overprinting the linocut image from Never Say Never. In that post I comment that the shapes look like crouching figures – in retrospect they are foetal-like. The subject of microchimerism has come back to my mind recently and I thought that the idea of making the ink more transparent with each print could touch on that. Also, the marks underneath would also become increasingly visible. I gave it a go but I made a hash of the ratio of ink to extender, and I couldn’t find the new tube of extender so I just added some white which, of course, made the print totally opaque, which wasn’t the original intention.

I left it for a while and got on with other tasks relating to the book and when I revisited it I thought about umbilical cords (something I have referenced previously in Sisters). I thought I might use some of the red thread that I had for my paper experiments to sew some kind of twisting cords which then made me think of using black stitching to delineate between the three shapes. I used a blanket stitch on the second shape as I’d seen at her Tate Modern exhibition that Tracey Emin had used it on her blankets to give a less defined line.

I’m really chuffed. I was thinking as I was sewing that maybe I should have planned where I was going to go, but then decided that, no, I liked the spontaneity of it all. Would I have done anything differently? No. How did I feel as I was making it? I felt pleasure, at all stages. I enjoyed the making of it and I like how it turned out. In fact, over the last few months (Summer Exhibition aside) I have really enjoyed making. That’s not to say that I haven’t enjoyed the process of making before then – I have, particularly the experimenting and and the wandering, it’s just that recently I have felt contented, as if some things have fallen into place. I particularly enjoyed the experiments with lino cuttings and packaging, and I’m really happy with the video that I made.

I think that it comes down to the accidental and the incidental; the unexpected that happens in the process and the small things I notice within the process which then lead to something else.

Oh, That Looks Interesting…

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I often become distracted; I’ll put a pan of water on to boil and then get distracted by something and go wandering off, only remembering that I was meant to be boiling some eggs when the pan has boiled dry.

I was cutting some lino yesterday and I collected the bits of lino on a piece of tissue paper. As I was lifting it up to dispose of them I thought, ‘oh that looks interesting’. And off I went. I wrapped some tissue paper around an old photo frame. I couldn’t be botherered to go off and find clamps etc so I balanced the frame on some books on two chairs. I then set up a couple of anglepoise lamps. Lying flat on my back on the kitchen floor allowed me to photograph the tissue paper from underneath. I experimented with the lino bits as well as some packaging which I had saved, just in case it might come in useful.

To save me from getting up and down, I enlisted some help with the sprinkling. These are the results:

I really like the effect of the lino bits – they are dynamic and have the sense of someone having just made some quick gestural marks. I like the added depth provided by the bits that are further away from the surface of the tissue paper.

I really like the effect in the photos. The first one in both sets is without any backlight and it almost looks like something trying to break through the tissue paper – like something crawling under the skin. It would have been good to try with just a few bits, but by the time I had the thought, I had put everything away, but something for the future.

I also made a video of the ‘sprinkling’. Otto, the dog, was in the kitchen at the time and decided to have a bark and come close to my head grunting like a pig. I was in the process of cleaning up the audio – I was even going to try out Garage Band – but then decided not to – I liked it how it is. I used some audio effects in Capcut – Deep 2, Echo and Super Reverb. I wanted to make the audio unexpected – the sprinkling of something light has been distorted so that it sounds unusually heavy and the background noises are unexpected when heard with the visual which I think makes it more interesting and unexpected.

Video of Sprinkling