Pushing Paper IV

I’ve decided to experiment with using the contour image in Procreate as a layer.

I was looking through some old family photos and found this one of my father in Canada. This is a recurring image from my childhood – if there was an edge or a high place, my father would always go and stand on it despite us pleading with him not to. I think he would have been about 40 years old when this was taken. I took him on the London Eye when he was in his 70s and I don’t think he looked out at the view once, choosing to spend the entire time sitting on the central seat, ashen-faced.

I also found this photo of a signpost.

I played around with layering using filters, inverting and adjusting opacity:

The image above is tonally bland; I prefer the one below. I like how the lined contouring gives the effect of the image being woven or embroidered.

Again, the images above don’t have enough tonal range. I don’t think the contouring adds anything, it’s probably more of a distraction.

A mixed bag of results. I prefer the images which don’t crop off the bottom of the sign post. The most successful is probably the penultimate image, but again I think it needs a greater tonal range. However, I do like the effect of the figures against the landscape, the idea of crossroads in life, decisions made, a different path followed and shadow selves.

Metallic

I was interested to see Jo Love’s remediation of old black and white photos using metallic pencils, in our session a couple of weeks ago. Photographic images quite often form the basis of my work. I decided to experiment with gold and silver pencils on some old unsuccessful cyanotypes I made from the video stills in In A Flash. The results were varied.

I used the silver pencil first but thought that it didn’t stand out enough. On reflection I think there is a subtlety about it which I like, and perhaps it would have been a better choice than the gold.

I’m not particularly drawn to any of them, but if I had to make a choice I prefer the last two images, particularly the last one. What works for me are the marks outside of the original image, the sunlike shape on the left and the drifting cloud on the top right. The overdrawing creates an image within an image, something which always appeals to me. I think part of the problem is the fact that the images are on watercolour paper which wasn’t overly receptive of the pencil. Overdrawing does appeal to me as a concept, though.