Catching Some Rays

I’ve finally got around to doing something I’ve been wanting to try for ages – solargraphy.

I’ve been saving up used drinks cans in preparation, and today I managed to prepare some pinhole cameras and fix them in various parts of the garden. I took the top off the cans using a can opener, punctured a hole in the side using a pin and then inserted a piece of Ilford Multigrade satin photographic paper. I then sealed the unit using the bottom section of another securing it with gaffa tape

Hopefully I’ll get some images which show the movement of the sun across the sky, mapping its path – a perfect way to capture the passage of time within a single image. Maybe something like these:

Images from http://www.willgudgeon.com

I hope, but very much doubt!

Carbon Dating

During my tutorial Jonathan mentioned carbon paper.

It brings back memories of a time when it was the only way to make copies, of secretaries putting a sheet between the top and bottom copies when they typed. Those were the days when the most technologically advanced piece of equipment in the office was a fax machine, which would regularly spew out reams of documents on thin, shiny paper, the print fading away to nothingness over time, thus requiring photocopies to be made, just like some present day shop receipts, so I’ve discovered.

So what to do with it? Recently, I have been reading about map-making and the act of mapping, considering the difference between the two. Contemporary cartographic theorists consider the process of mapping to be of paramount of importance, the creation of the artifact of the map being just one step in the process. In particular, psychogeographic mapping seeks to represent how individuals feel about the place they are in, a process in which subjective experience is prioritised over factual accuracy. Artist, Christian Nold, who uses a bio-mapping device to record individuals’ changes in emotional state, creates emotional maps of places, and one I’m particularly interested in is Brentford Biopsy because I used to live next door in Chiswick before I moved out of London. The project was undertaken in 2008 before areas of Brentford were redeveloped, and it’s really interesting to see how people felt about the area: it reveals so much more information than you would get by simply looking at a map: a map details the historic buildings and the riverside, but not how people respond to them, their view as to how they should be dealt with in future development, and how it actually feels to be there.

So, I’ve decided to embark on some emotional mapping of my own, not in relation to a sense of place (that may come later when I revisit my grandmother’s village) but of my day to day life. The bonus is that it means that I have to make a line everyday which will hopefully lead me to doing other making. I have drawn the contour lines using carbon paper (I‘m currently thinking that they may be too dark and overpowering, but we’ll see how it goes; it’s an experiment after all) and each one relates to an individual day.

I’ve already started, and it should take me up to the 12th of August. I’ve had to invoke some rules. There are three colours which represent three emotional states which I assess at the end of the day; green represents a neutral emotional state, orange positive and blue negative. Obviously within the generalised emotional states is a whole range of different specific emotions, but I decided just to keep it simple. Each line starts from the contour of the day in question and ends by going off the sheet otherwise it may be associated with more than one day. I draw each line for no longer than two minutes. I had thought about allowing myself however long I felt I needed and varying the intensity of the line depending on how I felt, but decided that would over-complicate things. The map will give an indication of how often I was in each emotional state over a period of time. I’m now thinking that I should have had another map on the go at the same time; not just to depict frequency but also depth of emotion. Maybe next time, if this works out.

I also found some watercolour paper which I had used for an unsuccessful cyanotype and experimented with it. I like the intensity of the colour against the blue background, and the way the coloured in areas look like countries on a map of the world.

The groupings of colours also remind me in a way of the Art Emotions Map which has been produced by Google Arts & Culture and the University of California, Berkeley, which I’ve spent a bit of time exploring and which reminds me of one of our Miro boards. My husband suggested that I could do something similar relating to life experiences, with getting married to him falling within ‘Wonder & Awe’. Oh, he does have a sense of humour!

Making A Face

A piece of carbon paper between two pieces of printer paper, a pen lid and a mirror. One minute of blind drawing.

I liked not being able to see the marks I was making, to lose all sense of where everything was, going back over areas and redefining without knowing it. I like the quality of the lines created by the carbon paper.

Reusing the same piece of carbon paper created an all-encompassing image.



Just Because

In my weekly art class they’ve been making collages on top of a sheet of patterned wallpaper (so that in theory the negative space is already filled), followed by figurative paintings and then abstraction. I’ve missed one or two classes, so I went straight in for the collage and then abstraction.

Whilst I enjoy flicking through magazines, predominantly House & Garden in this instance, I find it quite overwhelming trying to decide which images I should cut out, so more often than not I just go with what appeals and worry about how it’s all going to work later on. I think that I’m a ‘Ready Steady Cook’ kind of person – I feel much more comfortable being given a red or green bag containing an odd assortment and being asked to make something out of it.

Anyway, it was whimsical and light hearted, and I couldn’t resist the image of Sean Connery.

I then selected a couple of areas of interest.

And then interpreted them using oil pastels and paint.

I enjoyed the process. I can honestly say it was pure play and experimentation. I used a mixture of layers of thin and thick paint. I particularly like the two large green areas in the first one – I used a fan brush to create texture in the lighter section and drew into the lower section with the end of the paintbrush. I really like the interaction between the pastel and paint, how the pastel bleeds into the paint and how some edges are lost, whiting out some areas and tickling in bits of colour, scratching out.

Wondering About Wandering

It’s been almost 3 weeks since my tutorial with Jonathan, and even longer since my last blog post. I’m usually very good at writing tutorials up immediately afterwards, whilst I can still remember what we discussed. I don’t usually take notes – it’s too distracting.

Oh, how I wish I had taken notes, but I think that I can still remember the gist of it.

My clearest recollection is just how good it was to have a chat about something other than accidents, operations, hospitals and pain relief. On this subject Jonathan mentioned Late Night Ramblings, how at first glance it looks like a map but then when you look closer you realise that it doesn’t relate to anywhere. We talked about the methodology – what came first? I explained that I started off with the coloured lines, placed the dots at the intersections and then decided to add the contours and finally the grid – in retrospect I probably should have reversed the order as it was particularly difficult putting in the contour lines after the event – I couldn’t see the lines for the lines. We discussed the previous experiments which led to this point in particular the use of the photo of my father to create the outline of the figure, how the pose still retains its meaning, the angle of the shoulders and the head looking down, and how, because he reads my blog backwards from top to bottom, it only became apparent that the photo was the source of the outline once he had worked his way down. He also referred to What Was I Thinking? and my openness as to how I viewed my actions.

We talked about whether I would experiment with other media – I explained that I liked the flimsiness of the flip chart paper as it reminds me of the paper on which maps are produced and how I am interested in the idea of folding. Jonathan referenced how maps are folded, in a concertina, and how a piece of paper no matter what size it is can only be folded in half 7 times. Intrigued, I looked into this further after the tutorial finished. Generally, this is the case although in 2002, Britney Gallivan, a high school student in California, set a new world record by folding a piece of tissue paper 12 times, but it was 1.219km long. Funnily enough, whilst driving to Exeter yesterday morning to start and finish what my daughter was en route to do when she had her accident, clear out her room at uni, we had the pleasure of listening to Radio 2 when the Paddy McGuiness show came on, and listeners were invited to message in to explain how it can be true that if you fold a piece of paper 42 times it could reach the Moon? Did you know that you can only fold a piece of paper 7 times I asked my husband. Yes, you’ve already told me that, he replied. It’s a matter of exponential growth – if you assume that the thickness of a piece of paper is, say, 0.1mm, then when you fold it in half 42 times it will theoretically be 439,804km thick, approximately 55,000km in excess of the distance between the Earth and the Moon, the same kind of principle as in A Bird In The Hand.

I mentioned that I was thinking of creating a ‘map’ which would embody all that I have learnt over the course, and have been toying with experimenting with canvas, how I would need to think about image transfer etc. Jonathan mentioned Citrasolv which works really well on laser print, especially high quality print such as National Geographic. After the tutorial I watched a few YouTube videos, ordered some and have had to wait a couple of weeks for its arrival, this Thursday.

We then discussed Raita Bitless, and how Jonathan felt that there are some very important elements which are emerging and this is one of them. It feels like these are important memories which need to be explored further, and I agreed, explaining that sometime over the next couple of months I want to go back up to the Midlands and spend some time just wandering and reliving.

I’m sure that some of these discussions were prompted by a question, but the only one I can vaguely remember is when Jonathan asked me whether I was missing anything or needed anything more. I said that I didn’t think so, that I am quite happy just doing what I am doing. I have realised a lot about myself and the way I work (or not) – I had been attempting to squeeze the round me into a square hole. As such, I have effectively torn up my work plan, as it’s just not who I am, and have decided just to wander; to go on a dérive, and to wonder. Jonathan liked the idea of wondering whilst wandering – there’s a name for it, he said. I thought of it afterwards – a homophone – although apparently wonder and wander are not actually homophones because of a very subtle difference in pronunciation of the first syllable – what killjoys! I like it anyway, and there is a lovely interplay between the two.

We then got onto the subject of the research paper and he referred to The Paradox Of Choice. I told him that I felt as if I had been told to go out and buy something, anything; that I had decided that I wanted to buy a cake but that I couldn’t specify which cake I wanted until I had visited all the cake shops and seen all that was on offer. I would have responded much better to having been given a choice of topic out of a small selection, akin to an exam paper; that I felt overwhelmed by choice and asking me what intrigues me doesn’t really narrow it down at all. Anyway, because of where my current experiments have taken me, I have decided to think about maps particularly in an autobiographical sense. We then went on to discuss maps and the issues with them in terms of distortion both physically in respect of projections and political motivations, perspective etc. Jonathan also mentioned Professor Steve Peters – Jonathan had been to a talk and had been given a copy of The Chimp Paradox – I had started reading it a while ago but didn’t finish it as I was probably distracted by something else. He referred specifically to the idea of the helicopter view. It’s a technique to gain perspective on something by imagining hovering over the issue in a helicopter which enables detachment and a more rational and objective view.

Does the need to do the research paper risk having a negative impact on my current wandering? This was a difficult question to answer, but on the whole I don’t think so – I’ve already recognised that I am a person of extremes, either really tidy or messy, focussed or distracted, honed in on the detail or preferring the bigger picture – each will appeal to my polar opposite needs and I am optimistic that what I discover whilst writing the research paper will have significant impact on my current practice.

I hope that I have covered everything we discussed although we must have talked about carbon paper at some point because I have used it recently. I have done a few things recently – I need to include them in a post but, frankly, all I have wanted to do is to make and not necessarily reflect on and write about it.

Late Night Ramblings

It was a long day at the hospital yesterday and once everything was sorted and my daughter was settled in bed, I needed to do something to switch off.

Some wandering lines in different colours on flip chart paper – I quite like the flimsy quality to it. Then dotting the connections, many of which I’ve missed I’m sure but my eyes were getting tired. It was brainless activity, but incredibly soothing. That done, I decided to incorporate some of the contour-like lines I have previously used in my doodles.

Add in some grid lines and the result is something akin to a map. But what to do next? How can I incorporate this into something else or develop it further? I decided to leave it for now, whilst I still like it, before I do something I’ll undoubtedly regret but which is all part of the experimental process.

I’ve reflected on it further today – I had a look at some ordnance survey maps (incidentally OS is half an hour down the road from me in Southampton) to think about symbols. I remembered last year in Mallorca and the Miró/ Picasso exhibition at Sóller train station. There was a key showing the symbols Miró used and their meanings.

I didn’t think that I liked Miró, but then I hadn’t seen any of his work in the flesh. They were extraordinary and thinking about it now full of map like qualities; symbols in a spatial relationship, a visual expression of his inner world. Which now makes sense, considering these ones are part of his ‘Constellation’ series!

The Kindness Of Strangers

Yesterday lunchtime, my daughter phoned me, but it wasn’t her who spoke when I answered the call.

Instead it was a member of the public, who, with his daughter, had been taking it in turns to hold my daughter’s head, keeping her company whilst they waited for the emergency services, and later, whilst she was being cut out of the car.

We made it to the hospital before she did. Probably the worst moment of my life, waiting and not knowing, not wanting to imagine the possibilities.

A near head-on collision at 40mph. Everyone said she was incredibly lucky. We thought so, she didn’t want to entertain the thought, and still doesn’t want to think about it. Broken bones and a small operation tomorrow. She’ll be ok, physically anyway.

I can only hope to be able to repay the kindness to someone else’s loved one, of being there when they are alone and afraid. In the meantime, I’ve been in touch with him and he was equally relieved to hear how she is, looking forward to speaking to her when she feels up to it.

Puts it all into perspective.

Computer Says ‘No’

If I were a laptop I would say that at the moment I have no RAM, my processor is kaput and my operating system doesn’t support updates.

I’m not in the right headspace to have to think about a research paper. The more I think about it the more I just want to make, but my chunking approach to life means that I have to deal with this before I can entertain anything else.

At the end of the day, it’s just a draft – a draft is inherently subject to change.

What intrigues me? Initially it was the fallibility of memory. Then it was maps and the act of mapping. But do either of these interest me that much or are they just a passing fad? Is there anything which will make this exercise a pleasure and not the chore I suspect it will be? I’ve decided that I have the attention span of a gnat, that I am fickle in that I am interested in something intensely for a period of time and then I get bored and move on, that I am impatient and probably at times a bit lazy – isn’t life too short to have to work at making sense of academic writings which seem to have been written in such a way as to make them inaccessible to anyone but the most ardent of readers? I’m increasingly of the view that if you want me to do something, make it easy for me; that’s the approach I adopt with others.